Ross Nickerson Signature Models at BanjoTeacher.com!
"The Cracka"

cracka
The "Cracka"
is beautiful banjo made from African Mahogany. I never heard a banjo with such a crack to it. It has a specially designed lighter tone ring and hardware which reduces the weight considerably but does not affect the tone, in fact it has a lot of punch and volume.

Notes from luthier Peter Nahuysen

The Cracka
“I have been working on the Cracka model with Ross for 2 years now and this is no ordinary banjo. Ross loves the sweeter tone of mahogany but he was after a banjo that really had that “crack” that every player is looking for, but without sacrificing superb tone. The answer was to use a very special timber, a type of African Mahogany. It possesses incredible power, clarity and tone. The precision made block pot and neck are made from the same piece of timber which enhances the harmonic qualities of this instrument. Top it off with our own special light weight “Classica” tone ring and light alloy parts and you have the complete package that you can play all night long. The Cracka is a magnificent banjo.” Peter Nahuysen-Bellbird banjos


Other Features

Ebony or Rosewood fingerboard.
Choice of Custom Flying Eagle or Custom Bellbird Inlay pattern (others available on request)
Mirror nitrocellulose finish -in color of choice (see Custom Sunburst note above)
Fultz Straight Line Tailpiece for improved tone, intonation and volume.
Gotoh tuners.
5 Star banjo head.
Dual-action truss rod.
Pearl Truss rod cover.
GHS PF 175 banjo strings.
Railroad 5th string capo spikes standard on all instruments at frets 7,8,9 and 10.
TKL Deluxe Archtop Case
back of cracka

Here are three demo videos in smaller screen. If you want to see full size versions, click here

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More Demo Videosof the Cracka in full size

Contact us for prices on all banjos.
From the standard model range, the customer may choose to customize the banjo a little, which in some instances (eg gold plating, bound headstock, abalone instead of pearl inlay etc…) adds to the cost. See these specs below.

The True Blue (Curly Maple) ….. $5,250.00
The Cracka (Mahogany) …….$4,950.00 Demo video
The Larakin (Maple/Mahogany) …….$4,950.00
The Bushmaster (Special Rim) …….$4,250.00
The King Brown(Walnut) …………$5,250.00

Standard Included Features (for above models)


Nickel Plated
Choice of 3 headstock shapes –
   Bellbird “Bird Wing” headstock shape
   Traditional Gibson double-cut, or
   Gibson fiddle-cut
Standard weight or light alloy construction
5th string capo spikes installed
Ebony or Rosewood fingerboard and headstock
Choice of 14 inlay patterns
Colour of choice (sunburst extra)
TKL American Vintage Series Case (the best)

Most models are colour of your choice, with the True Blue (being lighter colour maple) having the most flexibility, could be any colour of the rainbow. The Larakin model (being a brown mahogany to start with is limited to the brown and red spectrum).

The King Brown model (Burl Walnut) is clear lacquered only, and therefore natural walnut brown is the only colour option.

Custom Extras                    Cost

Gold Plating   $ 450.00
Sunburst finish (maple)   $ 250.00
Bound Headstock (ivoroid)   $ 150.00
Bound Headstock (pearl)  $ 200.00
Bound Headstock (abalone)  $ 250.00
Radiussed fingerboard  $ 150.00
Abalone Inlays   $ 200.00
Customized inlay design   by negotiation


Payment Details

All banjos are custom made to order, a 50% deposit is required to start the job, and final payment is made when the banjo is ready to ship. The customer needs to allow a 20 week time frame from time of ordering to delivery. The customer is kept informed with progress and updates, and if possible some photos of the banjo in progress.

Of course there may be new Nick Kick models available for immediate delivery. Just ask when making your inquiry.

Standard Options   

Although the options for the five “standard” models are set, there are of course a considerable number of variations to consider for your custom made Bellbird banjo. In particular, with the colour of your choice, tone and tone ring preference, specific set up requirements and other hardware options that may be available within the “standard” range.

My aim is to give the player as much say as possible in their dream banjo and to meet their needs fully. This is what is lacking in factory produced instruments, even the most expensive ones where the selection process is fairly much “potluck”.

Demo videos

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